Pages Menu
Categories Menu

Theatre Royal, Hamilton – 1847

Skerrett Troupe’s Program Chronology at the Theatre Royal


Tom Noddy’s Secret

The opening performance on May 11th featured three plays, Somebody Else a farce by James Robinson Planche, a second farce A Thumping Legacy by John Maddison Morton and Perfection or, The lady of Munster a comedy. by Thomas Haynes Bayly. May 12th the company presented Andrew Cherry’s comedy The Soldier’s Daughter (with Emma in the role of the Widow Cherry,) and James Kenney’s musical face Turn Out!

May 15th they played John Buckstone’s farce Shocking Events, Thomas Haynes Bayly’s Tom Noddy’s Secret in which Emma played the role of Gabrielle, and William Pleater Davidge’s Minister of Finance. This particular performance was under the patronage of Sir Allan MacNab who, according to the Hamilton Spectator “proposes honoring the Theatre with his presence.” At this performance between the acts entertainment featured Mrs. Frary singing two Scottish songs written by Robert Burns. Oh! Whistle and I’ll Come to You My Lad which was written by Burns in 1793 to the tune of The Irish Lover’s Morning Walk. Her second song, Coming Through the Rye was set to the strathspey tune The Miller’s Wedding. Mrs. Hill performed a Highland Fling and a cachucha while playing the castanets.

At the end of May, Skerrett engaged James Wallack, Jr., J.D. Leonard and Mrs. and Miss Maywood, the dancer Sallie St. Clair, and extended the Hill family.

Shakespeare’s Othello was presented on May 27th with Thomas Blaides De Walden in the role of Othello, and Emma Skerrett taking the role of Desdemona. Othello was followed by William Bayle Bernard’s petite comedy The Four Sisters or Woman’s Worth and Woman’s Ways. Mrs. Frary and Mrs. Hill provided between the acts entertainment. The program closed with the entire Company singing God Save the Queen, an appropriate conclusion since the previous Monday was May 24, Queen Victoria’s Birthday.

June 7th brought the Irish comedian J.D. Leonard to the Royal’s stage supported by the singers Mrs. and Miss Maywood and the dancers Sallie St. Clair and Anne Hill. Leonard starred in William Bayle Bernard’s The Irish Attorney and Richard Butler Glengall’s The Irish Tutor; the latter play included a Donnybrook Jig danced by Mr. Leonard. Mrs. and Miss Maywood sang Raising the Wind, and Sallie St. Clair presented an excerpt from the ballet La Sylphide. It is worth noting that in her performance of this excerpt Sallie introduced Hamiltonians to their first theatrical experience from the Romantic ballet repertoire, and dancing “on pointe”.

The June 9th playbill featured George Colman’s John Bull or an Englishman’s Fire-Side and Tyrone Power’s Born to Good Luck in which Mrs. Hill danced an Irish Double Jig.

June the 12th J.D. Leonard played in James Kenney’s Irish Ambassador with Emma Skerrett playing the part of Donna Isabelle in Samuel Lover’s Rory O’More. The evening’s entertainment concluded with a Spanish Bolero danced by Sallie St. Clair and Mrs. Hill.

James W. Wallack, Jr. opened at the Royal on June 21st in two featured roles, playing Shylock in Shakespeare’s Merchant of Venice, and the lead role in Samuel James Arnold’s comedy, My Aunt. Sallie St. Clair was featured as between the acts entertainment.

Wallack appeared again on the 23rd in The Stranger, by August von Kotzebue, and Katherine and Petruchio. The latter was an edited version of The Taming of the Shrew, which was not unusual in this era of the theatre. Mr. Wallack played the role of Petruchio with Emma Skerrett playing Katherine.

June 26th was the company’s final Hamilton performance. Wallack played in Shakespeare’s Othello which was followed by the farce of The Four Sisters. The following Monday the Skerrett Troupe left for engagements in Toronto and Kingston, and then returned to Montreal where George had a contract to manage the New Theatre Royal, and the theatre at Albany, New York.

Thomas Haynes Bayly - 1797-1839 Tom Noddy’s Secret: a Farce In One Act. London: Chapman and Hall, 1838

Thomas Haynes Bayly – 1797-1839
Tom Noddy’s Secret: a Farce In One Act.
London: Chapman and Hall, 1838

Mona Rebecca Brooks. The Development of American Theatre Management Practices Between 1830 and 1896. Ph.D. dissertation, Texas Tech University, 1981. Web.
Noah M. Ludlow. Dramatic Life As I Found It, (1966; rpt. New York/London: Benjamin Blom). Print.
George Odell. Annals of the New York Stage, 6:351. Print.
Franklin Graham. Histrionic Montreal, (1902; rpt. New York/London: Benjamin Blom, 1969), 94. Print.
Joseph Norton Ireland. Records of the New York stage from 1750 to 1860, (rpt New York/London: Benjamin Blom, 1966). Print.
Thomas Blades (Bladies) de Walden.
Bio for James W. Wallack Jr. The Cambridge Guide to American Theatre. https//books Google ca/books?isbn=0521564441
Century Illustrated Monthly Magazine.